I have always been critical of movies about trans people that do not use trans actors, well the director of the new trans movie Danish Girl had something to say about it.
Danish Girl director Tom Hooper: film industry has 'problem' with transgender actorsIt is good that reached out to trans community but did they look for a trans actor for the leading character? Or was it just assumed no one would be able to play the lead? Saying that a trans actress wouldn’t be willing to play the lead because 2/3s of the role was as a male is also wrong because they never asked if a trans actor would be willing to play the role.
Director of film starring Eddie Redmayne, about Danish transgender pioneer Lili Elbe, says that ‘access to roles’ is key to progress
The Guardian
By Andrew Pulver
Saturday 5 September 2015
The film industry has a “problem” with transgender actors, with many unable to secure roles despite a “huge pool of talent”, according to film director Tom Hooper, whose latest film The Danish Girl – starring Eddie Redmayne as a pioneering recipient of gender-reassignment surgery – receives its world premiere at the Venice film festival.
Hooper said: “Access for trans actors to both trans and cisgender roles is utterly key. In the industry at the moment there is a problem: there is a huge pool of talent of trans actors, and access to parts is limited. I would champion any shift where the industry embraces trans actors. and celebrates trans film-makers.” Without explicitly acknowledging the controversy surrounding the casting of Redmayne, a non-trans actor, in the lead role of Einar Wegener – the real-life Danish painter who underwent a series of operations in the early 1930s to become Lili Elbe – Hooper said: “There’s something in Eddie that is drawn to the feminine; he’s played women before, most notably Viola in Twelfth Night. In our film, Lili is presented as a man for two-thirds of the movie, and her transition happens quite late on, so that played a part in coming to a decision.” Hooper also said that the production had reached out to the trans acting communities in the cities where they shot – London, Brussels and Copenhagen – and ended up casting “40 or 50 trans supporting artists”. He said: “I’m pleased we achieved what we did, but I’m sure there’s more to do.”
Saying he wanted to “clarify the difference between sexuality and gender”, Redmayne explained that he had embarked on a series of meetings with numerous trans people to better understand the nature of the character he was to play. “I met many people from the trans community, both men and women; I particularly wanted to meet people from different generations, as the film was set at a time when there was no precursor.” He cited a couple from Los Angeles, Cadence Valentine and Trista Hidalgo, as being especially helpful. “The way in which they allowed me to ask them anything, galvanised me. There were two things that stayed with me: Cadence said she would give anything and everything to live a life authentic; and the other was that, while she was transitioning, the question was: how deep was her partner’s pool of empathy.”It is good that he studied for the part by talking to trans people, but we will never know if a trans person could have done just as good as Redmayne because they never asked a trans person.
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