Tuesday, November 24, 2009

What We Give Up

When we transition, we may lose everything that we love, and this is even truer if you are in the public spotlight. There was an article in the New York Times about Sara Buechner who is a classical pianist who was forced to begin her career all over again.
Anything He Can Do, She Can Do
By MICHAEL WINERIP
Published: November 13, 2009

IN September 1998, David Buechner, then 39, a prominent classical pianist, came out as a transgender woman, explaining that from then on, she would live and perform as Sara Davis Buechner. The pianist had been accustomed to rave reviews (at 24, David, in his New York City concert debut, was called “an extraordinary young artist” by a New York Times critic). But the debut as Sara, reported in a Times magazine article, was not so well received, even by loved ones.

In the next years, Ms. Buechner largely disappeared from public view, though not by choice. David had done 50 concerts a year — performing with philharmonic orchestras in New York, Philadelphia, Cleveland and San Francisco — but as Sara, she couldn’t get bookings. “Apart from local gigs, from 1998 to 2003, I did three to five concerts a year,” she said. David taught as an adjunct professor at Manhattan School of Music and New York University, but as Sara, seeking a full-time professorship, “I applied 35 places and wouldn’t even get a response. Behind my back, I’d hear, ‘Is it safe to leave him in a room with undergrads?’ ”

n the next years, Ms. Buechner largely disappeared from public view, though not by choice. David had done 50 concerts a year — performing with philharmonic orchestras in New York, Philadelphia, Cleveland and San Francisco — but as Sara, she couldn’t get bookings. “Apart from local gigs, from 1998 to 2003, I did three to five concerts a year,” she said. David taught as an adjunct professor at Manhattan School of Music and New York University, but as Sara, seeking a full-time professorship, “I applied 35 places and wouldn’t even get a response. Behind my back, I’d hear, ‘Is it safe to leave him in a room with undergrads?’”

On Nov. 11, she celebrated the 25th anniversary of her New York City debut by playing in Merkin Concert Hall, still 10 blocks from Carnegie Hall, but a joyous night. The 440-seat hall was full; the audience gave her numerous standing ovations. Her parents traveled from Baltimore, her brother from Kansas. They’ve all long since accepted Sara, happy that she’s happy. Her mother said she was advised to take a firm stand against Sara by a prominent therapist so as not to encourage the switch, but now regrets it. “Sometimes you think you know more than your children, but you don’t,” she said.
In 2003, Ms. Buechner was hired by the University of British Columbia in Vancouver to teach piano from over 100 candidates and received tenure in 2008.
On Nov. 11, she celebrated the 25th anniversary of her New York City debut by playing in Merkin Concert Hall, still 10 blocks from Carnegie Hall, but a joyous night. The 440-seat hall was full; the audience gave her numerous standing ovations.
You can listen to some of Ms. Buechner here.

Sara Buechner is not alone in traveling this journey. Jennifer Leitham is another woman who has taken this journey. This is an excerpt from her web-site,
“Jennifer is best known for her decade long stints with both Mel Tormé and Doc Severinsen. She has appeared with many distinguished artists including Woody Herman, George Shearing, Gerry Mulligan, Peggy Lee, Joe Pass, Cleo Laine, Louie Bellson, Pete Rugolo, Bill Watrous, and numerous others. She has also been a member of the Tonight Show All-Stars, The Woody Herman Thundering Herd, Benny Carter Quintet, Bob Cooper Quartet, DIVA, and more.”
When she transitioned, she had to reestablish herself as a musician. The gigs are slowing coming back and you can listen to some of Ms. Leitham here.

I have met both Sara and Jennifer, I met Sara in Provincetown MA where she gave a performance during the Fantasia Fair conference and I met Jennifer when I was lobbying in Washington DC for the Employment Non-Discrimination Act (ENDA) and Matthew Shepard and James Byrd Jr. Hate Crimes Prevention Act.

Other musicians who have made this journey are Wendy Carlos and Billy Tipton, and you can listen to their music here and here.

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